The DarkRSS is a collection of social hubs that I frequently drift through and deposit content as I navigate the darkness that is the internet.
"I am everywhere yet I belong nowhere."
- Dred242
About an hour ago I was on my way back to my hotel after attending an iPhone Film Festival at MacWorld 2012 when I stumbled across a flash-mob dance party at the Powell St. BART Station. The entrance and adjoining tunnel was packed with people dancing to music from portable loud speakers which seemed to be part of a DJ booth with a guy spinning tracks and on the mic. I don't know when it started but watched for about 15min's before it finally ended.
Happening Right NOW! At the TWIT Live Meet-Up at the InterContinental in San Francisco. I ran into Leo Laporte at Union Square - we talked for a few seconds. He invited me to the meet-up....AWESOME! Several hundred people crammed into this side room / bar. Either way.....good times!
I'm at MacWorld 2012 iWorld iFanEvent and the hit of the show so far for me is the DLP Pico Pocket Projector that connects to the back of an iPhone 4 / 4s and projects a diagonal image up to 50 inches. Sells for $230 and will be available at BrookStone.com in about two weeks if not sooner.
Is it really necessary to force users to connect their Pandora accounts to facebook just so that they can add a photo to their Pandora profile? What if a Pandora user doesn't have a Facebook account, does that mean that they can NEVER upload a profile pic? Don't get me wrong, I understand the benefits of users being able to share their Pandora usage with their facebook friends if they want to, plus all the data swapping going on between Pandora and Facebook has got to be priceless....I get it. But what If I simply want to listen to music and NOT share in any way what I'm listening too - can I do that without conditions? I really don't want to give you all my facebook info so can you fix that? Ok bye!
Got an email from Vudu about two weeks ago. Vudu streams movies via the internet to devices like Blu-Ray players, TV's and other Internet connected devices. The email basically said that as of today Jan/03/2013 the Vudu service will no longer be available on Visio devices, of which I own two. We bought our Visio LED LCD 37" HD TV mid year 2011 as well as a Wi-Fi ready Visio Blu-Ray player with all the built-in apps like Facebook, YouTube, Netflix, Vudu, Blockbuster, and more. I procrastinated for months before I finally set up these streaming services (Vudu and Blockbuster On Demand). Once set up both worked perfectly - HD movies streamed instantly without buffering or stalling.....it was AWESOME! The email was a shocker because I really enjoyed the service for the few times I used it, but it gets worst! Last week Blockbuster On Demand sent me a service discontinuation letter as well. So not one but two streaming services stripped from my device after less than a year ownership. I feel as if the functionality and features of my Visio Blu-Ray player have been taken away after I've already paid for it - it's the classic bait-&-switch! I'm considering writing a letter to Visio asking what happened and if they plan to replace the removed services with other options.
My Hipstacase hack is complete. Well, the hack wasn't much of a hack. All I did was use Krazy Glue to permanantly attach the supplied tripod adapter to the bottom of the Hipstacase. Either way, it's a done deal and my iPhone 4s stands steady and ready for action!
My analog Project 2011 comes to a close in December with my Pentax K1000. The K1000 was the workhorse for school and universities students world wide due to it's high quality, rock solid performance, reliability, and most importantly it's basic features. The Pentax K1000 offered the very basics of camera operation - manually set your ISO, shutter speed, aperture, focus.....and shoot. Outside of the TTL metering there was nothing automatic about this camera which meant that there was nothing to distract the user from learning the relationship between aperture, shutter speed, focal distance, and composition. The Pentax K1000 was my first "real" camera and will always remain in my heart, and collection forever. I remember one of my favorite things about the K1000 was it's big beautiful viewfinder. It's crisp. clean, clear, and bright - offering an unobstructed view of whatever you were shooting....my feelings about that still hold true today after decades of being apart. I shot only a single roll of 400 speed color for the project due to time constraints, I don't even remember which brand I used but it didn't matter because I was just glad to have a K1000 again. I now have several rolls of Kodak Portra 400 Professional waiting to be used in my K1000....happy shooting and good times will ensue. The Quantaray 28mm f/2.8 I spoke of in the video seems to be a tight fit but once mounted worked great and may end up being the most used lens on my K1000. I don't plan on buying anymore lenses for this camera so whatever I have will have to do......and I'm ok with that. Some of the photos pictured within this post were taken by me back in the 70's with my original Pentax K1000. Back then I only shot B&W Ilford (sometimes Kodak) film including self processing and printing of my own photos.
I want to thank everyone for visiting my blog to view this year long photo project, and welcome you all back next year for more. If you have time please check out a short video slide show on my flickr photostream featuring images from my Pentax K1000 or jump over to my YouTube Ch. to learn a bit more about my K1000.Thanks again and I hope you all tune in next year.My Hipstacase (by Agent 18) arrived today - so now I have an iPhone 4s tripod mount that won't drop my iPhone 4s. Hipstamatic offered this case which comes complete with a tripod mount and wrist strap for 50% off the regular price of $39.95 for a limited time (the sale is now over). I'll need to glue the Hipstacase tripod adapter permanently into place but once complete the combo should work well as my full time iPhone 4s tripod setup. I have a folding pocket tripod that also includes Velcro straps to secure the tripod to most any elevated structure (pole, tree brach, railings) - can't wait to use it again. My Glif (the original Glif) will still see service as an iPhone 4s stand on my desk both at home and at work, but never again as part of an iPhone 4s tripod setup.
The best camera is the one you have with you has been the battle cry of iPhoneographers for the past three years.....and it's true. At least from the standpoint of being able to get the shot vs. missing out because you didn't bring a camera. My iPhone both old and new is with me (or near by) 24hrs a day. It has enabled me to experiment with photographic ideals on a whim, capture moments that would otherwise go un-recorded, and lastly share instantly. During this past year I captured and posted 312 iPhone images across 5 different themes based on iPhone apps like Instagram, Hipstamatic, Shake It Photo and more. All uploaded to flickr daily without fail including one iPhone video a week.
This year-long photo project was an ambitious undertaking but I'm proud of myself for completing it. Next year I'm planning on posting less iPhone photos to flickr (maybe only 3 per week) and ramping-up images captured with my micro 4/3 Lumix GF2, and many of my vintage film cameras. After doing some soul searching I've decided that attempting another weekly video project might be counter productive to everything else I'd like to complete. So video uploads captured with either my iPhone 4s or Lumix GF2 will be scattered at best with the exception of next years Analog Project 2012.
Pictured above is my iPhone 4s with an Olympus Pen EES iPhone skin applied. In the background is my Olympus Pen EE2.
I started a flickr project at the top of the year with the goal of posting a themed iPhone photo every day. I'm down to the last few weeks of daily uploads - the finish line is in sight. This project also included a video posting once a week which was actually the hardest part of the entire project. To clarify, the hard part wasn't filming the video it was choosing among the many topics to talk about. At times I would create 3-4 videos in one shot - each completely different than the next. I doubt that I will continue themed iPhone post next year but I am considering more video posting on flickr now that I can record higher quality video. My Analog Projects will continue as well but I'm gonna change the format just a bit. Currently I'm posting one half on YouTube and the other on flickr. My plan is to join them together into a single video each month with discussions about the camera while featuring photos taken with the camera. I'm also gonna try to do more lomo style photos both on Lomography.com and flickr.
My Analog Project continued in the month of November with the Olympus Trip 35. It's a fun and easy to use camera working pretty much the same as my Olympus Pen EE2...set it and forget it. It feels great to hold with good balance and ease of use. The 40mm f/2.8 Olympus D. Zuiko produces sharp images although a few of my shots were a bit on the blurry side due to my moving while walking and shooting at the same time....I gotta work on that. But I really enjoyed setting the zone focus to a set distance and committing myself to shooting everything from the distance. I really want to shoot B&W film with a red filter attached next time, I saw a photo gallery once with with a few Trip 35 photos shot through a filter and they were awesome. I guess my experiences with the Olympus Trip 35 is about the same as with the Olympus Pen EE2, it could become anyone's favorite camera if you're looking for something that both vintage and easy to use. The Olympus Trip 35 is a fun street shooter and will remain in my camera collection for some time to come. Go check out the video slide show featuring a few captures from my Trip 35 over on my flickr photo stream. Or jump over to YouTube to learn more about this camera.
My Eye-Fi card arrived yesterday and wow, what a great little device. The Eye-Fi is an SD card with an embedded wi-fi chip. When used in digital cameras, photos and video captured with the camera can be instantly shared to social networks or sent to a computer (Mac or PC) via wi-fi for archiving. But wait.....there's more! There's a FREE Eye-Fi app for both iOS and Android that allows you to transfer images captured with your Eye-Fi enabled camera directly to your iPhone, iPad, iPod Touch, or Android device.
After getting it all set up I was snapping pic's with my Lumix GF2 (a micro 4/3 digital camera) and watching them show up in the Eye-Fi app on my iPhone as well as in the iPhone's camera roll. The transfer takes 3-5 seconds per image and little thumbnails appear on the Eye-Fi apps home screen after the transfer is complete.
I set my Lumix GF2 to capture both RAW and medium sized Jpeg's. All of the images live on the Eye-Fi card but a copy of each Jpeg is exported out via wi-fi to the location of your choice. I checked the EXIF data of images transferred from my GF2 and all of the original EXIF data from the Lumix seems to be intact. The images retain their original file size too, about 4000X3000 pixels or roughly 4.3MB's per image, that's plenty of real estate to work with when editing images on my iPhone.
The iPhone camera is good but sometimes its just not good enough. There are times when my iPhone 3Gs fails to get the exposure right no matter what I try. The Eye-Fi adds a whole new layer of functionality to iPhone photography. Being able to capture with a better camera and move the image over to my iPhone is something that I've always wanted.... now I've got it. I can't wait to give this new setup a real world test-run later this week.
Lomography.com has added movie making to it's line-up! The LomoKino which is a hand-held 35mm movie camera that produces extremely short mini movies on whatever 35mm film you choose to load into this camera. Lomography.com has been releasing clues for the past several days about this new product....I knew it was going to be a movie camera of sorts. I was really interested in seeing it's form-factor because Lomography.com is known for mixing vintage styling with just the right amount of "new". The LomoKino looks really cool with it's winding film crank used to continously advance the 35mm film during exposure. I also love the camera's box form-factor - such a blast from the past...awesome! The LomoKino features a 25mm lens, a close-up feature that lets you get as close as 0.6 inches, a shutter speed of 1/100sec. continuous aperture settings from (f/5.6, f/8, f/11), viewfinder, tripod mount, flash hot-shoe, and a top-mounted red flag warning when the film is at rolls end.
New products from Lomography.com are always great and I really like what Lomography.com has done in the past but I'm just not that impressed with the results from the LomoKino. The mini movies posted in the "screening room" section of the Lomokino website look jerky, unfocused with too many dropped frames as well as frame overlaps. I'm sure this is a result of the user not the camera. It's a pretty good bet that the person filming these examples simply kept stopping the filming and then re-starting from a slightly different location or angle. A single roll of 36exp yields 144 frames per movie (at 3-5 fps) so in my opinion a tripod or at least holding the camera steady is a must as well as attempting to shoot the scene in one continuous shot scene or segment. The opportunity to show off this cameras was wasted based on whats posted in the screening room so I guess I should really hold off on my final judgment until this Lomokino ends up in the hands of the buying public.Then there's the LomoKinoScope which is the device used to view your movie creation. It looks like it's about half the size of the Lomokino and features a winding crank on one side, a light gathering translucent window on the back and an eye piece on the front. Once the developed film is loaded inside the LomoKinoScope you simply look through the eye piece while pointing the device towards a bright light source, turn the crank, and enjoy your movie. It's like a ViewMaster.....re-invented!I can't say that I would ever buy the LomoKino but it's a great to see Lomography continuing to push the use of film in new and exciting "retro" ways. The LomoKino sells for $79.00 and the LomoKino & LomoKinoScope Package sells for $99.00.
My Analog Project continues in the month of November with the legendary Olympus Trip 35. This camera functions pretty much the same as my Olympus Pen EE2 with the exception of the lens being a D Zuiko 40mm F/2.8.....sweet! The Trip 35 can capture images in just about any daylight situation when set to full automatic mode but also does a great job in aperture priority mode with a default shutter speed of 1/200sec. As with the Pen EE2 the shutter is near silent making this another great street shooter. With 3 quick turns of the film advance wheel the camera moves from shot-2-shot with ease. With my half-frame Olympus Pen EE2, Olympus Trip 35, Olympus Trip 35-SP, and Olympus XA I can pack a quadruple punch of Olympus photographic power when roaming the city for street shots.
This is my 2nd attempt at shooting video with a Pentax Auto 110 24mm "fixed" f/2.8 lens mounted to my Lumix GF2. This time I used a tripod (duh!) for most of the clips and the focusing results were much better. I still need to work on lighting and composition to show off what should be the beauty of a fixed f/2.8 lens - things seem to be a bit different when it comes to shoot video vs. digital stills. I'm sure I'll figure it out in time.
I tested shooting video through my Pentax Auto 110 24mm f/2.8 lens mounted to my Panasonic Lumix GF2 micro four thirds digital camera. I shot hand-held with the camera set to shoot without a lens as well as the camera being set to "elegant" in the art filter mode. My main goal was to see just how easy or difficult it would be to shoot video with this fixed aperture lens. The results weren't too bad - as long as you don't pay attention to the crappy colors due to the art filter. Maintaining focus while hand holding the camera was a pain. I could see the focus drift whenever I moved my finger to start the recording and the constant swaying of my body was enough to ruin every shot. I guess with practice I'll learn how to maintain the proper distance between the camera and the subject in order to stay in focus when the camera is hand held. I'll call this test a success because it worked although clumsy with ton's of poor lighting.
My Analog Project continues in the month of October with the Canon Canonet QL17 G-III. This camera has a fast f/1.7 40mm lens with a short-trow 45° focus range which I think makes it one of the fastest focusing rangefinders from the 70's. I love using this camera in semi automatic mode, it handles exposures well in almost all outdoor lighting conditions. Just like several of my other vintages cameras the shutter near silent at shutter speeds above 1/125sec which makes it great for street photography. As mentioned in my video the QL17 stands for "Quick Loading" and "f/1.7", but I forgot to tell you that the "G" in G-III stands for "Grade Up" as described by Canon and the "III" marks this camera as 3rd in the series. This camera has a great feel - not too big, not too small and what a looker! The camera has good weight and is well balanced with controls right where you need them. I spent most of my time shooting in auto mode shooting both 100iso B&W and 400iso color.- the lighting conditions really didn't change much between rolls. As you can see in the video, I have a rather large metal lens hood which does cast a bit of vignetting when in use. I really only use it on extremely bright and sunny days when I have nothing around me (walls, buildings, trees) to block some of the sunlight. Overall the QL17 GIII is a great camera and I recommend it to anyone looking for their first vintage rangefinder. Easy to focus, full manual control, fully functional without a battery, and a no-fuss quick load film system.....also the price is just right at about $50-$80 in great condition. Next year I'm gonna buy a black QL17 GIII which will cost much more than the standard silver model but it's the one I want most.....it will be mine!
Check out the companion video to this months Analog Project 2011 on my YouTube Ch. or a video slideshow featuring some of the photos captured with my Canon Canonet QL17 GIII on my flickr photostream.
Several weeks ago I came across photos made with a micro four thirds camera that had a CCTV lens mounted to it. The photos were surprisingly well captured with sharp subjects and wonderful bokeh. I was impressed with the images but found myself more impressed with the marriage of the technologies both old and new used to capture the image. CCTV is short for "closed-circuit television" and if you're as old as me then you will most likely remember the large video cameras mounted above bank tellers, and 7-Eleven store clerks back in the 70's. "Closed-circuit" refers to the video signal not being broadcast but being sent to a specific end-point like a monitor or recording device. Today most of the big security cameras have been replaced with much smaller security cameras covered with a tinted translucent plastic dome. ....look around, their everywhere! The lenses for security cameras come in all shapes and sizes and range in price from as little as $50 to several hundred. Most of the less expensive CCTV lenses can be bought for cheap on eBay and other online retailers....check out B&H Photo too. The CCTV trend is nothing new, four thirds and micro four thirds camera owners have been mounting all sorts of lenses to their cameras with the help of adapters that can couple an older lens to the newer bodies - there's an adapter for just about any lens. The tiny size of the CCTV lenses add a unique styling enhancement to the micro four thirds cameras - it will most certainly turn heads when out in public. During my research I discovered that in addition to all the great photos being made with CCTV lenses, video was also impacted by the unique qualities of the CCTV lens. The CCTV lens produce a warm dream-like feel most likely due to the shallow depth of field that most CCTV lenses have - most being f1.4 and f/1.7 but some are available as f/2.8 as well. I suspect that I could capture almost the same effect with my 14mm f/2.5 pancake attached to my GF2 but fear the the results might be too clean. I knew deep down inside I wanted to try my hand at capturing video with a CCTV lens so I set out to buy a lens for my Lumix GF2.
After a day or two of searching I was about to settle on a cheap 25mm f/1.4 CCTV lens made in China and being sold on eBay for about $30 - but I decided to do one more google search on the subject and I'm glad I did because that search pointed me to info about Pentax Auto 110 lenses being used on micro four thirds cameras...."raise the Spock eyebrow"! It turns out that the Pentax Auto 110 series of lenses are perfect for the Lumix GF2 and mount easily with a Pentax Auto 110 lens to micro 4/3 four thirds adapter which can be bought for only a few bucks on both eBay and Amazon.com. The Pentax Auto 110 was released in 1978 by Pentax and at the time it was the worlds smallest interchangeable lens SLR camera on the market. I remember the camera being sold in various kits which included different combination of camera, lenses, flash, and power winder as well as other accessories. The Auto 110 used the110 film format housed in plastic cartridges made famous by the shit-ton of Vivitar 110 cameras that flooded the market from the mid 70's to mid 80's. As a kid in the 70's I really (REALLY) wanted the Auto 110 but in addition to the price being out of reach it was almost never in stock. Several months ago I picked a used Auto 110 with a 24mm f2.8 lens and a power winder for dirt cheap because I had several rolls of 110 film, and I've always wanted that camera - even if just to hold and look at. Kodak stopped making 110 film many years ago and in 2009 FujiFilm who was the only company still producing 110 film discontinued production as well. 110 film can still be bought from online retailers (and on eBay) but the price is rising as the supply gets smaller. And on the other end the price of the Pentax Auto 110 camera is at it's lowers level...$30-$40 for a body with a single lens.So what does all of this have to do with me and my Lumix GF2? Well, the most important discovery about this combination of Auto 110 lenses and the 4/3 and M4/3 cameras is that a single frame of 110 film is close in size to the sensor on most four thirds and micro four thirds cameras. The image area on a frame of 110 film is something like 17X13mm, and the capture area on the 4/3 and M4/3 sensor is 17.3X13mm. This makes the Pentax Auto 110 series of lenses an almost perfect match for four thirds and micro four thirds cameras and allows image capturing with less circular image blurring and vignetting due to lens to sensor incompatibility. I shot several test shots around the outside of my house using the Auto 110 24mm f/2.8 lens, different shutter speeds as well as different ISO's - I noticed no circular image blurring around the focus point and no vignetting. My focus was off a bit on a few of my test shots due to the finger prints and smudges on the rear LCD panel mixed with sunlight - it totally washed my viewing experience and was hard to see what I was manually focusing on. An EVF (electronic viewfinder) is definitely on the wishlist for next year! Next I'm gonna mount my GF2 to a tripod and attempt to shoot video - if it works out well I'll try and plan a more elaborate video shoot with this little jewel of a lens.The Pentax Auto 110 kit included your choice of 18mm f/2.8, 24mm f2.8, or the 50mm f2.8 standard lens. Additional lenses were available - the 18mm Pan-Focus, 70mm Telephoto, and a 20-40mm zoom. Most can be found on eBay for cheap - around $40-$70 for the standard lenses and a bit more for the others. I suspect the price of these lenses to rise as more four thirds and micro four thirds owners find out about the compatibility of the Auto 110 series of lenses. If shooting video with my GF2 and an attached Auto 110 lens proves to be fun then I'll pick up the 18mm f/2.8 and the 50mm f/2.8 to round out my collection.
I updated my iPhone 3Gs to iOS5 this morning. The whole process took over an hour to complete with plenty of backing up, restoring, and automated restarts. Once completed my outdated iPhone 3Gs now seems to have new life - widgets, pop-ups, alerts, and badges has made my iPhone more active than ever with info streaming in from all over the place. In order to take full advantage of all that iOS5 and the NEW iCloud service has to offer is looks like everything must be turn on or enabled including location services, WiFi, push notifications and more. So far I've only found 1-2 apps that wont play nice with iOS5 but everything seems to work well. I'll have to take some time to launch every single app later today just to make sure. I'm really looking forward to using iCloud to back-up app data. I figure I can get away with not upgrading to more storage and keep using the 5GB or free storage because I don't need to back-up photos, music or video to the cloud. Anyway, a great update for my iPhone and I'm gonna dig in deeper to see what other little surprises are in iOS5.
I took this photo during the Scott Kelby World Wide Photowalk here in South San Jose last weekend. It was my 3rd time using Kodak Ektar 120 Color film in my Bronica ETRSi and I was very pleased with the results. The colors seem to be a bit more saturated when shooting in bright sunlight but overall it still looks great. I'm gonna hit-up Amazon for Ektar on sale and load up. And perhaps I'll snag a few rolls of Ektar 100 Professional ISO 100 (35mm) for use in both my Olympus Pen-F and Kiev 4AM bofore years end.
Captured Device: Bronica ETRSi
Film: Kodak Ektar Color
ISO: 100
Aperture: f/16
Shutter Speed: 1/500sec.
Focal Length: 75mm
Light Merer: Sekonic Twinmate L-208
Scanner: Epson Perfection 4490
Dpi: 2400
If you're like me then MacWorld is less about iPhone cases and more about conferences.
"....on to the next presentation!"
Dred242 Mobile EDITION Captured with the default camera and PhotoMarkr.
Each of my iPhone 4s photos and video are captured, processed and edited on the iPhone itself with a combination of iPhone apps. More at: BokehImage.com www.Dred242.com/ www.MobileEdition.net/ www.AdventuresInAnalog.com/ on Lomography on JPGmag.com on Youtube @Dred242 on Twitter! @BokehImage on Twitter! "Friend Me" on facebook "Friend Me" on Google+
Dred242 Mobile EDITION Captured with Hiostamatic and PhotoMarkr.
Each of my iPhone 4s photos and video are captured, processed and edited on the iPhone itself with a combination of iPhone apps. More at: BokehImage.com www.Dred242.com/ www.MobileEdition.net/ www.AdventuresInAnalog.com/ on Lomography on JPGmag.com on Youtube @Dred242 on Twitter! @BokehImage on Twitter! "Friend Me" on facebook "Friend Me" on Google+
Dred242 Mobile EDITION Captured with the default camera, PhotoGene2, SnapSeed, Camera+, and PhotoMarkr.
Each of my iPhone 4s photos and video are captured, processed and edited on the iPhone itself with a combination of iPhone apps. More at: BokehImage.com www.Dred242.com/ www.MobileEdition.net/ www.AdventuresInAnalog.com/ on Lomography on JPGmag.com on Youtube @Dred242 on Twitter! @BokehImage on Twitter! "Friend Me" on facebook "Friend Me" on Google+
Dred242 Mobile EDITION Captured with the default camera, CrossProcess, and PhotoMarkr.
Each of my iPhone 4s photos and video are captured, processed and edited on the iPhone itself with a combination of iPhone apps. More at: BokehImage.com www.Dred242.com/ www.MobileEdition.net/ www.AdventuresInAnalog.com/ on Lomography on JPGmag.com on Youtube @Dred242 on Twitter! @BokehImage on Twitter! "Friend Me" on facebook "Friend Me" on Google+
Dred242 Mobile EDITION Captured with Hipstamatic and PhotoMarkr.
Each of my iPhone 4s photos and video are captured, processed and edited on the iPhone itself with a combination of iPhone apps. More at: BokehImage.com www.Dred242.com/ www.MobileEdition.net/ www.AdventuresInAnalog.com/ on Lomography on JPGmag.com on Youtube @Dred242 on Twitter! @BokehImage on Twitter! "Friend Me" on facebook "Friend Me" on Google+
.....title by my wife.
Dred242 Mobile EDITION Captured with the default camera, CrossProcess, and PhotoMarkr.
Each of my iPhone 4s photos and video are captured, processed and edited on the iPhone itself with a combination of iPhone apps. More at: BokehImage.com www.Dred242.com/ www.MobileEdition.net/ on Lomography on JPGmag.com on Youtube @Dred242 on Twitter! @BokehImage on Twitter! "Friend Me" on facebook "Friend Me" on Google+
Camera: Panasonic Lumix DMC GF2
Lens: Lumix G 14mm f/2.5 ASPH Pancake
Mode: Aperture Priority
Aperture: f/2.5
Shutter Speed: 1/400sec.
Focal Length: 14mm
ISO: 100
Exposure Compensation: 0 Steps
Camera: Panasonic Lumix DMC GF2
Lens: Lumix G 14mm f/2.5 ASPH Pancake
Mode: Aperture Priority
Aperture: f/2.5
Shutter Speed: 1/60sec.
Focal Length: 14mm
ISO: 320
Exposure Compensation: +0.7 Steps
•Device: iPhone 4s
•Focal Length: 4.28mm
•Exposure Time: 0.052 s
•Aperture: f/2.5
•ISO: 80
•White Balance: Auto
Camera: Panasonic Lumix DMC GF2
Camera: Panasonic Lumix DMC GF2
Camera: Panasonic Lumix DMC GF2
Lens: Lumix G Vario 14-42mm f/3.5 ASPH/MEGA O.I.S
Mode: Full Manual
Aperture: f/22
Shutter Speed: 1/60sec.
Focal Length: 19mm
ISO: 100
Exposure Compensation: 0 Steps
Flash: Pentax FGZ AF360
Flash Mode: Manual
Flash Power: 1/16
Flash Zoom: 45
Flash Connection: Wireless Trigger
Flash Modifier: DIY Softbox
Come see the second strobist shot taken with my Lumix GF2 over on my flickr photostream.
Camera: Panasonic Lumix DMC GF2
Lens: Lumix G 14mm f/2.5 ASPH Pancake
Mode: Aperture Priority
Aperture: f/2.5
Shutter Speed: 1/1000sec.
Focal Length: 14mm
ISO: 100
Exposure Compensation: 0 Steps
Camera: Panasonic Lumix DMC GF2
Lens: Lumix G 14mm f/2.5 ASPH Pancake
Aperture: f/2.5
Shutter Speed: 1/400sec.
Focal Length: 14mm
ISO: 100
Exposure Compensation: +0.3 Steps
Camera: Panasonic Lumix DMC GF2
Aperture: F/2.5
Shutter Speed: 1/40sec.
Focal Length: 14mm
ISO: 800
Exposure Compensation: 0 Steps
Camera: Panasonic Lumix DMC GF2
Aperture: f/3.5
Shutter Speed: 1/2000sec.
Focal Length: 14mm
ISO: 100
Exposure Compensation: +1 Steps
Device: iPhone 3Gs
Each of my iPhone 3Gs photos and video are captured, processed and edited on the iPhone itself with a combination of iPhone apps.
Scott Kelby World Wide Photowalk - San Jose / 2011
Captured Device: Bronica ETRSi
Captured Device: Polaroid SX-70
Film: Polaroid Artistic TZ
Scanner: Epson 4490
Scanner: 24bit color
Scanner: 1200 Dpi
Scanner: Unsharp mask = None
Copyright Applied With Photoshop Lightroom
Camera: Panasonic Lumix DMC GF2
Aperture: f/3.5
Shutter Speed: 1/125sec.
Focal Length: 14mm
ISO: 100
Exposure Compensation: 0 Steps
Camera: Panasonic Lumix DMC GF2
Aperture: f/3.5
Shutter Speed: 1/60sec.
Focal Length: 14mm
ISO: 250
Exposure Compensation: 0 Steps
Camera: Canon Canonet QL17 G-III
Film: Kodak Portra 400
Aperture; F/2.8
Shutter Speed: 1/500sec.
The window in our house with the 2nd best natural light offerings is in our master bedroom and it sits just above our bed. Surely you've seen items photographed on this headboard in the past, eh? The window with the best natural light is downstairs in the formal dinning room - it doesn't offer as much direct sunlight but the light is perfectly diffused. This photo is from my iPhone flickr project where I'm posting photos edited with a specific iPhone app each day of the week for the entire year of 2011. Tuesdays is "Diptic Tuesday" using the iPhone app Diptic.
Dred242 Mobile EDITION Captured with Camera+, PhotoMarkr, and Diptic. Each of my iPhone 3Gs photos are captured, processed and edited on the iPhone itself with a combination of iPhone apps. More at BokehImage.com, and Dred242 Mobile EDITION @Dred242 on Twitter! @BokehImage on Twitter! "Friend Me" on facebook! Thanks Dred242 Www.BokehImage.com
Device: iPhone 3Gs
Focal Length: 3.65mm
Exposure Time: 0.025 s
Aperture: f/3.0
ISO Equiv.: 80
White Balance: Auto
Dred242 Mobile EDITION
Captured with Camera+, PictureShow, PhotoGene, and PhotoMarkr.
Each of my iPhone 3Gs photos are captured, processed and edited on the iPhone itself with a combination of iPhone apps. More at BokehImage.com, and Dred242 Mobile EDITION @Dred242 on Twitter! @BokehImage on Twitter! "Friend Me" on facebook!
Device: iPhone 3Gs
Focal Length: 3.83mm
Exposure Time: 0.039 s
Aperture: f/2.8
ISO Equiv.: 64
White Balance: Auto
Dred242 Mobile EDITION
Captured with Camera+, PictureShow, PhotoMarkr, and FilterStorm.
Each of my iPhone 3Gs photos are captured, processed and edited on the iPhone itself with a combination of iPhone apps. More at BokehImage.com, and Dred242 Mobile EDITION @Dred242 on Twitter! @BokehImage on Twitter! "Friend Me" on facebook!
Device: iPhone 3Gs
Focal Length: 3.85mm
Exposure Time: 0.032 s
Aperture: f/2.8
ISO Equiv.: 100
White Balance: Auto
Dred242 Mobile EDITION
Captured with Camera+, TiltShift, FilterStorm, PhotoGene, and PhotoMarkr.
Each of my iPhone 3Gs photos are captured, processed and edited on the iPhone itself with a combination of iPhone apps. More at BokehImage.com, and Dred242 Mobile EDITION @Dred242 on Twitter! @BokehImage on Twitter! "Friend Me" on facebook!